Sound Art and Environment: Deadline: 31 October, 2016.
Guest Editor: Gascia Ouzounian
Sound art and ontologies of space, place, and/or sociality
Sound art and landscape, environment, geography, urban and public space
Sound art and experimental approaches to architecture, planning, and mapping
Sound art in remote or contested places, including conflict or post-conflict zones and under-served communities
Sound art and biopolitics; new approaches to ecology and acoustic ecology; sound art and environmental activism
Sound art and the non-human world
Topics may be freely interpreted. However, all submissions must address philosophical matters. We welcome articles (4,000-8,000 words) and Collisions (1,000-2,500 words). Collisions are brief responses to aesthetic experiences that raise philosophical questions, pointing the way towards suggestive
discussions. For a section of the journal entitled “Reading,” we also seeking proposals for Collisions with academic books.
Please click here for submission requirements and instructions, including details on Collisions and Reading proposals. Submissions that do not meet our requirements will not be considered. With questions not covered by this site, please contact the Editors at eventalaesthetics dot gmail dot com.
For further info visit: http://eventalaesthetics.net/cfp/